Adrian Bending
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photos and videos

‘A whole lot of fuss about nothing?’ – the final bar of Beethoven’s 5th

 

    

Belshazzar’s Feast – new arrangement coming soon!

Belshazzar's Feast by Sir William Walton
choir, organ and percussion (2 players) by David Briggs and Adrian Bending.

Following the World Premiere in March 2024 this new arrangement is to be published soon!

Beethoven’s 5th Symphony World premiere timpani part

After the first performance in 1808 a first edition and parts were made.  But these did not contain some things in the original orchestral parts.

This set of parts was hardly known about and was found in the Lobkowicz archive in Nelehozeves, Czechia.  This resulted in some errors in the first edition and subsequent editions being researched and rectified.

I have typeset the part as closely as I am able to the original.  You can download it here.

Here is a video about this original timpani part.

Bending Bach’s Basslines

Welcome to my book!  It is a collection of Bach chorales with their basslines specially adapted to be played on timpani.  You can play along to the accompanying CD of professional recordings.

The book contains 28 Bach chorales, the timpani parts from Bohemian Rhapsody (from We Will Rock You) and No Change by All Bluff and Porterage, and some chapters on general timpani playing.

Look inside: Page 8  Page 9    german flag    japanese flag   You can now purchase Bending Bach's Basslines from:   Southern Percussion for United Kingdom   Brandt Percussion logo Brandt Percussion for mainland Europe

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Steve Weiss Music for USA & Canada

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Optimum Percussion for Australia & Asia

For each chorale I have written three or four different versions of increasing difficulty, ranging from a few downbeats and cadences to playing the full bassline throughout. For an explanation of the notation have a look at the 'look inside' feature above.

This easy example has just a few pedal changes (indicated by crossed note-heads). Although the notation shows you how to play the  chorales on four timpani with 'wedge-notes' as the outer drums, most of them, such as this one, are easily playable on two or three drums.

W HGI 11 T1w hr narrow - Full Score The last example of each chorale closely replicates the full Bach bassline.  Some are easier than this, and some are a bit harder. Later examples don't have crossed note-heads because there would be so many. W HGI 11 T4w hr - Full Score Faster chorales like this one have an additional slower track on the CD to play along to. Click on one of the buttons below to hear the slow and professional recordings of this chorale.   All proceeds from sales of this book are being donated to Cancer Research UK CRUK-logo-with-extra-border-grey-background

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Purcell Percussion Project

We’re very excited to announce that our new book Purcell Percussion Project is now available from Southern Percussion

From our earliest ideas while working together at the Royal College of Music to recently completing this book and recording the promotional videos it’s always a huge pleasure to collaborate with one of Britain’s most exciting young timpanists Louise Goodwin.

This book is a collection of 11 dances and orchestral pieces from Purcell's opera 'The Fairy Queen'.  We haven't had to adapt much to make this music fit on to four mallet percussion instruments. For most our arrangements instruments can be shared and the line up is flexible. We indicate the difficulty of each part and there are some very easy parts that virtual beginners can master. In addition to the mallet percussion quartet there is an optional 5th player; playing improvised un-pitched percussion.  Usually we have provided two guide versions of this again allowing very inexperienced players to be part of an ensemble.
For high ability players this book is useful as it gives them a chance to play some wonderful music in a style that we do not normally get to play as percussionists.  Rather than focusing on highly technical or taxing parts as is often the case in percussion ensembles, this relatively simple music allows us far more headspace to focus on phrasing and musical aspects and develop a true insight into playing in this historic and important style.
We very much hope that you enjoy playing Purcell's wonderful music!

shorts and reels

 

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